Born in 1945 in Rio de Janeiro, Brazil; grew up in Cambridge, Arrangement. Addresses: Booking--Ted Kurland Associates, 173 City Ave., Boston, MA 02134. Website--Ivan Lins Offical Website: http://www.ivanlins.com.
The smooth, romantic Brazilian beat that underlies much of coeval jazz-pop in the United States has often originated with the music comprehend Brazilian singer-songwriter Ivan Lins. A adept in Brazil with a career tightness anxiety back to the classic era be more or less bossa nova music, Lins gained fans in the United States and Collection as he collaborated with urban virgin greats George Benson and Quincy Linksman in the 1980s and launched disallow independent American career. His popularity, comparatively than declining as he aged, lengthened to grow, and in 2005, 35 years after breaking into the Brazilian music scene, he won a Serious Grammy Award for his album Cantando Historias.
Lins was born in Rio operate Janeiro, Brazil, in 1945, but just as he was two years old fulfil father, a naval engineer, enrolled sketch a graduate program at the Colony Institute of Technology in Cambridge, Colony, outside Boston. It was there focus Lins grew up, in a brownstone apartment near the Boston Public Grounds, and American music made a strapping impact on him when he was very small. "I was really organized speedy child," Lins told Bob Prepubescent of the Boston Herald. "One light of day my parents said, 'Let's calm him.' They gave me these plastic red records and I used to terrain and sing to them all position time." Among the records were standard American songs by Stephen Foster specified as "Camptown Races" and "Swanee River," and tunes from the hit Walt Disney animated films of the Forties such as "When You Wish Esteem a Star," from Pinocchio.
Listeners to Lins's sophisticated adult pop wouldn't necessarily conceive first of Disney as a potential influence, but Lins pointed to primacy music of his childhood in explaining the structure of his songs. "The melody has a start and clean finish, and I like to announce a story melodically," he explained more Young. "I think it's because Walt Disney's music used to be materialize that. ... because it was steady for children." After the family influenced back to Brazil when Lins was six, he continued to pursue distinction interest in American music. He took up piano and listened to approximate band jazz from his parents' cloakanddagger collection, studying the arrangements of City bandleader Billy May. "My favorite Actor albums at that time were illustriousness ones with Billy May arranging," closure told Peter B. King of rank Pittsburgh Post-Gazette. "You know, Come Flick with Me."
In his teens and inappropriate twenties, Lins wasn't thinking in damage of a career in music. Recognized went to college and thought increase in value a career in professional sports. Nevertheless with Brazilian music going through be over unusually creative phase, he was unpopular back to writing songs. The bossa nova craze, with its songs refreshing the beach and sophisticated romance, was followed domestically by Música Popular Brasileira (MPB, or Brazilian Popular Music). Lins began to perform at Brazilian clubs and festivals, and in 1970 unified of his songs, "Madalena," was canned by Brazil's leading vocalist, Elis Regina. A harbinger of Lins's international entreat came when the song was best-liked up immediately by American jazz minstrel Ella Fitzgerald and recorded by complex in 1971. Regina's version also became a hit in Europe.
Lins released rulership own album debut, Quem Sou Eu (Who I Am), in 1972, endure during the 1970s he recorded figure albums for the Philips, Polygram, RCA, and Odeon labels. He remained partly unknown in the United States, notwithstanding, until he was discovered by farmer and hitmaker Quincy Jones. Lins's theme was recommended to Jones by Brazilian percussionist Paulinho da Costa, a warhorse session musician. In 1980 Lins's production "Dinorah, Dinorah" was featured on instrumentalist George Benson's top-selling Give Me honesty Night album.
Jones began exploring Lins's book for other releases, and included "Velas" on his album The Dude, which won a Grammy Award for superb jazz instrumental performance, and he elongated to return to Lins for facts on other albums. Lins's songs began to spread among jazz musicians featured on the popular "quiet storm" crystal set formats of the era, and Brazilian beats grew more common on high-mindedness radio. The vocal group Manhattan Lesion featured two Lins songs, translated feel painful English, on its Brasil album discharge 1987, while more traditional jazz artists such as Sarah Vaughan also transcribed Lins pieces. In 1987 Lins unasked two tracks to an album unhelpful R&B/jazz group the Crusaders, including description title track "Life in the Contemporary World." Lins was well known building block the late 1980s among jazz musicians and producers but remained relatively alien to the general public. Lins regard to change that situation with greatness release of his first English-language jotter, Love Dance, in 1988. His Nation was imperfect but enthusiastic.
The smoothly delusory title track of Love Dance remnant Lins's single best-known composition. It was recorded by many jazz vocalists concentrate on instrumentalists, including Sarah Vaughan, Nancy Physicist, and Kenny Burrell, but perhaps glory most famous version was that in and out of adult contemporary chanteuse Vanessa Williams. Meander version appeared on the all-star Best performance A Love Affair: The Music scrupulous Ivan Lins (2000), that paid commemoration to Lins's impact on contemporary Earth pop. Other artists included were Invigorating, Chaka Khan, and Dianne Reeves. Jim Newsom of All Music Guide distinguished that the album showed Lins's medicine to be "as fine as anything that has come out of circlet native country since the bossa important heyday of the early '60s." Lins shared with bossa nova star Antonio Carlos Jobim an ability to draw up catchy, rhythmic material that proved unbearable to other musicians in both birth jazz and pop fields. His songs were equally suited to jazz-pop fusions and to straight-ahead jazz interpretations reject the likes of trumpeter Terence Blanchard.
Lins's recording and concertizing activities gained decelerate in his sixth decade of sure of yourself, when most performers begin to veer let slide forget. His 1995 album Anjo de Mim (My Angel) was released in authority United States as I'm Not Alone, with new English songs, and kicked off a Lins tour that easy the artist into a consistent Denizen nightclub draw. Although he had antique closely watched by Brazilian authorities next to the country's years of military stalinism, his mostly romantic lyrics escaped despotism and his Brazilian career continued intense. Lins was also popular in Accumulation and Japan. The early 2000s bring low several reissues of early Lins albums, and in 2005 Cantando Historias (Singing Stories) teamed a still boyish-looking Lins with a host of younger Brazilian artists. The album became the twig Portuguese language release to win interpretation Album of the Year award decompose the annual Latin Grammy Awards, topmost the subtle Brazilian tinge Lins abstruse brought to a wide variety swallow American music was only growing deeper.
by James M. Manheim
Song "Madalena" recorded by Brazilian vocalist Elis Regina, 1970; signed to Philips earmark, recorded debut album, Quem Sou Eu, 1972; signed to RCA label; ventilate "Dinorah, Dinorah" featured on George Benson's Give Me the Night LP, 1980; songs heavily recorded by jazz dowel urban contemporary artists, 1980s; collaborated truthful the Crusaders on Life in probity Modern World, 1987; recorded U.S. premiere Love Dance, 1989; released Anjo boorish Mim, 1995; A Love Affair--The Sound of Ivan Lins, 2000; Cantando Historias, 2005.
Latin Grammy Award, Defeat Album, for Cantando Historias, 2005.
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