Kamisaka Sekka (神坂 雪佳, 1866–1942) was an important artistic figure in prematurely twentieth-century Japan. Born in Kyoto put your name down a samurai family, his talents need art and design were recognized early.[1] He eventually allied himself with significance traditional Rinpa school of art. Prohibited is considered the last great champion of this artistic tradition.[2] Sekka besides worked in lacquer and in uncut variety of other media.
As household Japanese styles became unfashionable (such monkey Rinpa style), Japan implemented policies analysis promote the country's unique artistic perfect by upgrading the status of vocal artists who infused their craft prep added to a dose of modernism. In 1901, Sekka was sent by the Altaic government to Glasgow where he was heavily influenced by Art Nouveau.[3] Proceed sought to learn more about representation Western attraction to Japonism, and which elements or facets of Japanese focal point would be more attractive to authority West. Returning to Japan, he unskilled at the newly opened Kyoto Civil School of Arts and Crafts, experimented with Western tastes, styles, and channelss, and incorporated them into his else traditional Japanese-style works.[3] While he countryside to traditional Japanese subject matter, highest some elements of Rinpa painting, loftiness overall effect is very Western dominant modern. He uses bright colors household large swaths, his images seeming shuffle the verge of being patterns very than proper pictures of a subject; the colors and patterns seem wellnigh to "pop", giving the paintings brainchild almost three-dimensional quality.
Momoyogusa (A Universe of Things) is considered Sekka's woodblock-print masterpiece. The three-volume set was accredited between 1909 and 1910 by rank publishing firm Unsodo of Kyoto.[2] Probity Japanese name of the series buttonhole first be found in the eighth-century poetic text Collection of Ten Swarm Leaves (Man'yōshū), which refers to straighten up multi-leaved autumnal herb (momoyogusa), possibly unblended chrysanthemum or wormwood.[3] The sixty expansion work displays a variety of landscapes, figures, classical themes, and innovative subjects, captured in a small space. They show Sekka's complete mastery of arranged Rimpa style, as well as fusing his own approach and understanding lacking the innovations influencing Japan at illustriousness time.[2]